Tweaky Posted September 23, 2023 Posted September 23, 2023 I've been looking at that Cornford amp a bit more closely. The seller doesn't say what speakers are fitted, and looking closely, I see that two different ones are fitted [Judging by the speaker surrounds] As the original Cornford combo amps were designed for recording studio use, I wouldn't be surprised if this was a design element [where a mic is position over the preferred speaker whence recording], rather than the sign of a previously blown speaker being mismatched with a new replacement. That is just a educated guess, but I could be completely wrong. It would help if you asked the seller a few questions. 1] What speakers are fitted, mention you can see two different speakers are fitted [ask for Ohm rating and watt rating of each, as it makes a huge difference -both can be read from the back of the speaker. 2] A clearer picture of the back of the amp [Not a slanted photo, where you can see very little ] so you can see what input/output jacks are fitted, and if it has a effects loop, or ask about what is fitted.........I can see a cable coming from inside the cabinet plugged into one of two sockets that are side by side.......I suspect that possibly you can have either speaker connected by changing which jack socket that cable is plugged into, so basically the amp might only run one speaker at time, but you can choose which one.......I don't know as the photos don't show it. 3] Amp dimensions and weight - If a boutique VOX AC30 type, it should be very similar in specs. 705 x 260 x 550 mm | 27.76 x 10.24 x 21.65 inches 30.8 kg | 67.9 lbs. Depending on the sellers reply [if you get one] you could be on to a real bargain
Ooogh Posted September 24, 2023 Posted September 24, 2023 It all gets rather complicated doesn’t it! Swapping out speakers you have to do your homework. As always everyone has their opinion on printed circuit boards, longevity v price, repair ability etc, but I must confess I find the digital reverb on the AC10 as good as the tank reverb on the 15. We choose the little AC10 because the price was great for a new full valve amp, $750. The sound was everything we required, in my opinion it destroys a Fender Blues Junior, the weight was fantastic and a terrific store. Will it still be rocking in 30 years? Who knows but I will have shuffled off the mortal coil by then so I doubt I will care! In between however my back will be in better shape. One of the best things we did was get a little Rumble 500. It doesn’t come close to the sound of my wife’s proper bass rig but it weighs nothing so it gets to go to every practice. No more hauling 50 + kg of head and bass cabinet into the car, smacking into every doorway, just pick it up with your left hand and throw it in. As a final note, if there are any Bass Players looking for an amplifier that rivals the mighty Ampeg SVT keep an eye out for the Fender Super Twin built for two years in the mid seventies. 180 Watts from 6 x 6L6. Originally they came in a combo cabinet with 2 x 12” speakers that weighed 60+ kg. They were simply insanely loud and guitarists would go deaf or have a heart attack before they would break up. However bass players cut the amp out of the cabinet and re-box them for an absolutely spectacular head. The SVT is the only head I have heard that can beat it’s weight, tone and punch. 1
oztheatre Posted September 24, 2023 Posted September 24, 2023 17 hours ago, Tweaky said: I've been looking at that Cornford amp a bit more closely. The seller doesn't say what speakers are fitted, and looking closely, I see that two different ones are fitted [Judging by the speaker surrounds] As the original Cornford combo amps were designed for recording studio use, I wouldn't be surprised if this was a design element [where a mic is position over the preferred speaker whence recording], rather than the sign of a previously blown speaker being mismatched with a new replacement. That is just a educated guess, but I could be completely wrong. It would help if you asked the seller a few questions. 1] What speakers are fitted, mention you can see two different speakers are fitted [ask for Ohm rating and watt rating of each, as it makes a huge difference -both can be read from the back of the speaker. 2] A clearer picture of the back of the amp [Not a slanted photo, where you can see very little ] so you can see what input/output jacks are fitted, and if it has a effects loop, or ask about what is fitted.........I can see a cable coming from inside the cabinet plugged into one of two sockets that are side by side.......I suspect that possibly you can have either speaker connected by changing which jack socket that cable is plugged into, so basically the amp might only run one speaker at time, but you can choose which one.......I don't know as the photos don't show it. 3] Amp dimensions and weight - If a boutique VOX AC30 type, it should be very similar in specs. 705 x 260 x 550 mm | 27.76 x 10.24 x 21.65 inches 30.8 kg | 67.9 lbs. Depending on the sellers reply [if you get one] you could be on to a real bargain Thank you mate! I think I'm safer with a Vox in the end. Good pickup on the 2 different speakers too and yes might be standard for that model. I think if he wants to sell it better photos are needed. It's an interesting amplifier but parts and no distributor here, might end up being problematic.
oztheatre Posted September 24, 2023 Posted September 24, 2023 10 hours ago, Ooogh said: It all gets rather complicated doesn’t it! Swapping out speakers you have to do your homework. As always everyone has their opinion on printed circuit boards, longevity v price, repair ability etc, but I must confess I find the digital reverb on the AC10 as good as the tank reverb on the 15. We choose the little AC10 because the price was great for a new full valve amp, $750. The sound was everything we required, in my opinion it destroys a Fender Blues Junior, the weight was fantastic and a terrific store. Will it still be rocking in 30 years? Who knows but I will have shuffled off the mortal coil by then so I doubt I will care! In between however my back will be in better shape. One of the best things we did was get a little Rumble 500. It doesn’t come close to the sound of my wife’s proper bass rig but it weighs nothing so it gets to go to every practice. No more hauling 50 + kg of head and bass cabinet into the car, smacking into every doorway, just pick it up with your left hand and throw it in. As a final note, if there are any Bass Players looking for an amplifier that rivals the mighty Ampeg SVT keep an eye out for the Fender Super Twin built for two years in the mid seventies. 180 Watts from 6 x 6L6. Originally they came in a combo cabinet with 2 x 12” speakers that weighed 60+ kg. They were simply insanely loud and guitarists would go deaf or have a heart attack before they would break up. However bass players cut the amp out of the cabinet and re-box them for an absolutely spectacular head. The SVT is the only head I have heard that can beat it’s weight, tone and punch. It is quite confusing really. I could not believe the amount of pickups seymour duncan now have, must be more than 200 different styles. The AC10 or 15 will be more than enough for here, it's just for my office really, no stadium tours or brazillian coffee houses planned as yet haha. The vox comes in custom colours too, now I need the blue alnico speakers plus custom colour.. the blue or purple look snazzy and the grey is nice, should hide dust well. Price keeps going up. Seems the majority of 2nd units have the greenbacks in them too so add in swapping that out. Talk about first world problems right! 1
oztheatre Posted September 24, 2023 Posted September 24, 2023 On 10/09/2023 at 9:27 AM, Tweaky said: Well if you are only going to keep it as art, you might as well treat it as a oil painting, rather than a print, and get the Fender Presision. But by the same token, I wouldn't bother buying a new one, buy a used one off Ebay. Either way, it will be worth a bit more than you paid for it in years to come. Besides, all new Fenders no longer say Made In The USA [I think this will be a selling point in years to come], apparently this because not everything on a Fender Guitar/Bass/Amp is 100% made in the USA, which is now what's needed to carry that nomenclature. All new Fender Guitar/Basses and Amps, constructed in the USA will carry CORONA CALIFORNIA instead. I've seen several YouTube videos saying Fender had the equivalent of orders of 600,000 guitars cancelled in 2022, after a huge buying spree of guitars during Covid lock down, so Fender has be heavily discounting them to get rid of the stock they have [I haven't seen a price drop here ] Didn't Gibson get bailed out around then also? Price drop in Australia? We are likely to see a price increase instead. 1
Tweaky Posted September 24, 2023 Posted September 24, 2023 (edited) 8 hours ago, oztheatre said: Didn't Gibson get bailed out around then also? Price drop in Australia? We are likely to see a price increase instead. Even if the Fender overstock price drop was to be applied here as well, it would get eaten up by our lousy exchange rate. I can't remember if the VOX AC10 has a Top Boost channel or not, I know the AC15 does. Unfortunately the VFS2A Dual Footswitch to turn on/off the trem/reverb doesn't come with the amp, it costs another $75-80 on top. https://www.mannys.com.au/vox-vfs2a-foot-controller I bought one of those, and I also bought a A/B switch at the same time., similar to this Electro Harmonix Switchblade Plus Channel Selector Pedal. https://www.mannys.com.au/electro-harmonix-switchblade-plus-channel-selector-pedal This allows me to run one cable from the guitar to the switch [Or pedal board then switch], and then two cables from the switch to the Amp, one going to the Normal channel and the other to the Top Boost channel, that gives you access to one more sound option. Not necessary, but nice to have, especially if you switch guitars that have different types of pickups, P90's, Humbuckers, Single coils Edited September 24, 2023 by Tweaky 2
Ooogh Posted September 25, 2023 Posted September 25, 2023 9 hours ago, Tweaky said: Even if the Fender overstock price drop was to be applied here as well, it would get eaten up by our lousy exchange rate. I can't remember if the VOX AC10 has a Top Boost channel or not, I know the AC15 does. Unfortunately the VFS2A Dual Footswitch to turn on/off the trem/reverb doesn't come with the amp, it costs another $75-80 on top. https://www.mannys.com.au/vox-vfs2a-foot-controller I bought one of those, and I also bought a A/B switch at the same time., similar to this Electro Harmonix Switchblade Plus Channel Selector Pedal. https://www.mannys.com.au/electro-harmonix-switchblade-plus-channel-selector-pedal This allows me to run one cable from the guitar to the switch [Or pedal board then switch], and then two cables from the switch to the Amp, one going to the Normal channel and the other to the Top Boost channel, that gives you access to one more sound option. Not necessary, but nice to have, especially if you switch guitars that have different types of pickups, P90's, Humbuckers, Single coils The AC10 just comes with the one channel which is supposed to be the same as the top boost. Keeps it all pretty simple. No effects loop if that is a problem either, but I think you have to go all the way to an AC30 to gain that. Also the AC10 does not have tremolo which the AC15 does. The AC15 is a little brighter, not in a bad way, it has more definition of the string. The 10 is a warmer but more congested. Actually sounds fuller at low volumes but it does so by hiding some detail. In isolation it sounds great but side by side you can hear that it hides some sparkle. The 15 fills out when driven hard but in a domestic or studio setting you might be blowing your head off by that point. From what I read the 10 doesn’t seem to be improved by swapping out speakers which is a much more limited selection due to physical constraints within the box itself. So beyond tube rolling you get what you are given. Depending on how much you like to tweak things that could be a good thing or bad. I am sure an AC15 will keep it’s value better., offers a few extra features, has a wider range of speaker options, tank reverb and tremolo. In reality at $995 from Billy Hyde’s with the greenback it is an excellent buy. That cream finish looks rather nice! No doubt you pay for the privilege.
Jakeyb77_Redux Posted September 25, 2023 Posted September 25, 2023 Just some thoughts I’d had today seeing that the used guitar market has gone way up again. What have you sold that kills you to see the price of today? Guitars only. I’ll go first My 21st present from my dad was a 1978 wine red Les Paul Custom. I sold it for $1200 in 2001. 1
Jake Posted September 25, 2023 Posted September 25, 2023 I have fitted the Alnico Creamback to my HRD III, but still in the process of upgrading the caps etc so haven't heard it yet. But I spent a lot of time watching comparison videos like above. Have never played through a Vox though. 1
oztheatre Posted September 25, 2023 Posted September 25, 2023 1 hour ago, Jakeyb77_Redux said: Just some thoughts I’d had today seeing that the used guitar market has gone way up again. What have you sold that kills you to see the price of today? Guitars only. I’ll go first My 21st present from my dad was a 1978 wine red Les Paul Custom. I sold it for $1200 in 2001. Oh no that's terrible, I reckon you will go to hell for that one All you can really get today to replace it is an Epiphone, which is an imposter guitar. I had an Evh art series charvel, again, about $1200 brand new with hardcase, perhaps 18 years ago, today they ask 4-6K, so hell awaits me also. There's a pair on reverb the red and black/white stripe and the black and white for 14K https://reverb.com/au/item/65103689-charvel-evh-evh-art-series-usa-set-2004-2005-red-w-b-white-b 1 1
oztheatre Posted September 25, 2023 Posted September 25, 2023 I kept my N4 though, hard guitar to part with, bill lawrence pickups, extended cutaway and thin neck but wider than the evh kramer/wolfgang strats. Latest addition on the right.. been 20 years, wolfgang standard, loved the spalted maple finish.. $750 sight unseen and worth every penny! Won't be a collectors guitar though just good value for money really, nice neck, good enough pickups for low volume playing.. His last signature model was about 6K plus so some differences no doubt in pickups and timber used.. and where made. USA vs Indonesia. China, Indonesia, Mexico, Korea, USA - best guitar luthiers worst to best? agree? Australian? Cole Clark for acoustics, who else? 2
oztheatre Posted September 25, 2023 Posted September 25, 2023 Remember this geetar? the stienberger made popular by Alan Holdsworth and somewhat by Edward. Not too popular today but quite unique.. bit like his pink baggy pants 1
Tweaky Posted September 25, 2023 Posted September 25, 2023 11 hours ago, oztheatre said: Remember this geetar? the stienberger made popular by Alan Holdsworth and somewhat by Edward. Not too popular today but quite unique.. bit like his pink baggy pants The Stienberger guitar with the Transposing Tremolo is one guitar I won't forget {the guitar can hold a different tuning that can be engaged buy a certain action of the tremelo arm], and neither will Elton Johns long time guitarist Davy Johnson. Elton was playing at the Sydney entertainment center I think, I forget what the song was, but about 3 guitar strums in, Davy must of hit the tremolo arm that engaed a different tuning, subsequently he was totally out of tune for the entire song, and loudly to boot. It was a real cacophony, and Davy was blissfully unaware it was going on [shows how bad his foldback must of been - he might of been fed straight into the desk ?] There is a video of the concert somewhere, you have never heard a song massacred as badly as that one was. 1
oztheatre Posted September 28, 2023 Posted September 28, 2023 On 26/09/2023 at 9:07 AM, Tweaky said: The Stienberger guitar with the Transposing Tremolo is one guitar I won't forget {the guitar can hold a different tuning that can be engaged buy a certain action of the tremelo arm], and neither will Elton Johns long time guitarist Davy Johnson. Elton was playing at the Sydney entertainment center I think, I forget what the song was, but about 3 guitar strums in, Davy must of hit the tremolo arm that engaed a different tuning, subsequently he was totally out of tune for the entire song, and loudly to boot. It was a real cacophony, and Davy was blissfully unaware it was going on [shows how bad his foldback must of been - he might of been fed straight into the desk ?] There is a video of the concert somewhere, you have never heard a song massacred as badly as that one was. Did he use that guitar again? Maybe not This is likely worse than breaking 2 strings at once too.. Note to self, do not store anything in a stienberger
Tweaky Posted September 28, 2023 Posted September 28, 2023 9 hours ago, oztheatre said: Did he use that guitar again? Maybe not This is likely worse than breaking 2 strings at once too.. Note to self, do not store anything in a stienberger Although I don't think Elton realized what was going wrong in that song until about half way in [It sounded like Davy had been given a different set list and was playing a completely different song, it was that bad ], I'm pretty sure that once he found out what the cause was he banned Davy from using it again. On the topic of choosing , or swapping of speakers for a VOX AC15, or any other tube combo for that matter, I ran across this video about the Electro Voice EVM 12L speaker, which I had totally forgotten about, mainly because they stopped making it years ago, there have been a few versions over the years.......apparently they have started re-making it......I did a quick search for the price of the new one in Aus. https://www.mooloolabamusic.com.au/electro-voice-evm12l-c-12-8-ohm-200w-classic-guita I had a quick look on Ebay, and there are several used available, and of the different versions. Depending on condition, you should be able to pick one up for a bit over half the price of the new one. This speaker was designated as the best speaker made by the late Howard Dumble, who used it in the amps he built for many famous guitarists, and subsequently became a favorite for those who wanted to up the sound quality of their amps. [Mainly because it is very low distortion, has great power handling, and has a huge magnet on the rear......reminds me of ATC HiFi drivers ] https://www.guitarworld.com/news/howard-alexander-dumble-rip This is the video I ran across yesterday. They have a EV12L in a Mesa Boogie cabinet, but run it with several different amps, one being a VOX AC15. It a huge jump in sound quality of the Celestion Greenback.....I'm not sure how big a jump it would be over a Celestion Blue, not as much, but still very noticeable I think. 1
Tweaky Posted September 30, 2023 Posted September 30, 2023 On 25/09/2023 at 9:06 PM, oztheatre said: I kept my N4 though, hard guitar to part with, bill lawrence pickups, extended cutaway and thin neck but wider than the evh kramer/wolfgang strats. Latest addition on the right.. been 20 years, wolfgang standard, loved the spalted maple finish.. $750 sight unseen and worth every penny! Won't be a collectors guitar though just good value for money really, nice neck, good enough pickups for low volume playing.. His last signature model was about 6K plus so some differences no doubt in pickups and timber used.. and where made. USA vs Indonesia. China, Indonesia, Mexico, Korea, USA - best guitar luthiers worst to best? agree? Australian? Cole Clark for acoustics, who else? I'd put Japan at the top of the list over the USA for build quality of guitars, consistency as well. The only problem with them is that generally, they don't hold their value as much as USA made guitars, and seldom appreciate in value. If Stevie Ray Vaughn hadn't died, that situation might of changed, as he had signed a deal to play TOKAI guitars just before the helicopter accident. I think his influence, especially as he was so big at the time, would have changed opinions of Japanese made guitars and made them a lot more valuable today in the vintage market [Although trying to date Japanese guitars is a nightmare ] I was surprised when you mention the current value of your Washburn N4, but when you consider the average NEW price of a comparable guitar it seems correct. Personally, I've never seen the fascination for the Floyd Rose Tremolo system, it seems more of a PITA if / when you break a string, plus the added weight. I suppose it's one of those things that you have to have used for a while before you appreciate it. I've built a Frankenstrat using Gotoh stagger tuners https://www.realparts.com.au/tuning-machines/6-in-line/gotoh-sd91-staggered-post-height-vintage-tuning-keys-nickel.html and a Wilkinson Contemporary 5+1 Tremolo, that has a "stagger drilled" solid steel block, https://www.realparts.com.au/bridges-tailpieces/tremolo-st-style/wilkinson-contemporary-5-1-tremolo-chrome.html Which with the use of both, lessens the string break angle over both the nut and the saddles, so there is very little friction at those points. Both can be fitted to Vintage spec'd Strats without the need for any modification The reasoning behind this, and component choice is show in a set of videos below, up "Setting up your Strat for best Tremolo use". https://www.youtube.com/channel/UCXU3GYv5qEzuPePqXOJBgXw I've got it setup as a "Floating Bridge" [Same as a Floyd Rose]. meaning I can pull up a semitone, as well as dive bomb away until the strings are flapping around, and it will come back to perfect tuning every time, without the need of a locking nut. I have to give credit where credit is due to Galeazzo Frudua for explaining the science behind this, and narrowing down the components to get. Also how, by using a tuner and a small Post-stick block of paper, you can finely adjust the springs at the back of the guitar so it doesn't go out of tune, regardless of how heavy handed you are with the tremolo This is the thing hardly anybody knows about, let alone how to do. The video below shows how to do this setup on a modern Two Pivot Strat trem bridge, but you can do exactly the same with a classic 6 screw traditional start bridge. 2
Tweaky Posted October 2, 2023 Posted October 2, 2023 While looking for a video on how to modify a Tone pot so it becomes a 'No Load' type [I've got a 2014 American Standard Telecaster that has No Load tone pot fitted as standard, I want to try one with a guitar fitted with some P90's ], I came across this tip that can supposedly increase the sustain of any guitar fitted with a bolt on neck. Very simple to do, and absolutely no way you could damage your guitar, it would have to be worth a try just to see if you got any improvement. From reading the comments section, it would appear to have a resounding success rate from those that have tried it.
betocool Posted October 3, 2023 Posted October 3, 2023 I'd have guessed bolted on neck guitars would have a decent amount of sustain... if bolted on well... Cheers, Alberto
Tweaky Posted October 3, 2023 Posted October 3, 2023 7 hours ago, betocool said: I'd have guessed bolted on neck guitars would have a decent amount of sustain... if bolted on well... Cheers, Alberto They should, but from the comments it seems that is not always the case, well unless its just a placebo effect they are reporting. When you buy a new neck it doesn't/shouldn't have any pre-drilled holes on it. I always place the screws through the body at a slight angle [about 1-1.5mm nearer the body from the screw center], then mark that, then drill the holes, that way when it comes to fitting the neck it is really tight into the neck pocket. 1
Jake Posted October 4, 2023 Posted October 4, 2023 I think sustain is one of the biggest scams in the guitar world. Also, Fender have always used the term "bolt-on" when they have never used bolts, only wood screws. But bolts sound stronger than screws, so the myth lives on.
Tweaky Posted October 4, 2023 Posted October 4, 2023 8 hours ago, Jake said: I think sustain is one of the biggest scams in the guitar world. Also, Fender have always used the term "bolt-on" when they have never used bolts, only wood screws. But bolts sound stronger than screws, so the myth lives on. I think sustain is valid with a electric guitar, just take the differences heard when you go into a store and strum different examples of the same guitar [ A Tele is best for this simple test ] Depending on how many examples you have to test, will always get one that will sound louder "Acoustically" than the others, plus the whole guitar will resonate quite a bit more as well. Then again, it depends what you are playing. If you tend to play stuff that has quick chord changes, or solo lines, sustain is not really going to be a factor to concern yourself with. As for acoustics, well the lighter they are built, the louder, and more responsive they will sound. You get the old Martin and Gibson guitars from the 30's and early 40's that were lightly built, as they were designed to be played before steel strings became the norm, when gut strings were in use. Put some steel strings on one of those you will hear the difference immediately [but possibly do damage to the guitars bracing, as they weren't designed for it ] The vast majority of new mass produced brand Acoustic guitars are over built, the reasoning is to save on warranty returns if the bracing failed, or the bridge started lifting or even popped off.......Ultimate sound quality comes second unless buying a Acoustic from a boutique maker.
betocool Posted October 5, 2023 Posted October 5, 2023 The only one artist I can single out for sustain is Gary Moore in "Parisienne Walkways". Don't know how he does it. And it's a Gibson I believe, he used to favour those, with a glued on neck. And while I really appreciate a lot of guitarists out there, "sustain" is not really a driving force for the likes of David Gilmour, Brian May, George Harrison, etc. As in all things music, this is a humble opinion not in any way based on facts Cheers, Alberto
Tweaky Posted October 5, 2023 Posted October 5, 2023 8 hours ago, betocool said: The only one artist I can single out for sustain is Gary Moore in "Parisienne Walkways". Don't know how he does it. And it's a Gibson I believe, he used to favour those, with a glued on neck. And while I really appreciate a lot of guitarists out there, "sustain" is not really a driving force for the likes of David Gilmour, Brian May, George Harrison, etc. As in all things music, this is a humble opinion not in any way based on facts Cheers, Alberto Gary Moore used to play a 1959 Sunburst Les Paul that was originally owned by Peter Green, from the original Fleetwood Mac lineup. Peter, had at one stage, taken the guitar to have something fixed on it, in the process of putting the guitar back together again, the repair guy put one of the pickups back in the wrong way around, this resulted in the pickups being out of phase with each other, resulting in a unique sound when the pickup selector was in the middle position. Peter sold the guitar to Gary Moore, who was then playing with Thin Lizzy [I saw the guitar briefly when they played at the Sydney Opera house steps in 1978, it has horrendously high action on it -possibly a bad neck bow -and combined with the small vintage sized frets, I'm surprised he, or anybody else could play it ] Anyway, he soldiered on with it, and played it for the next 30+ years until bad business dealings [and too much booze] forced him to put it up for sale before he died. It eventually ended up in the possession of Kirk Hammett from Metallica, who still owns it today. He lent the guitar to Gibson so they could make replicas of it, and you can currently buy a sort of copy of it , called the "Greeny" for AUS $6500 [not much difference than a standard Custom Shop - price wise] or a full blow "Murphy Lab" recreation, where every scratch, paint chip, tarnishing etc is recreated for AUS $45,000. https://guitar.com.au/gibson-kirk-hammett-greeny-murphy-lab/ Original Les Paul Sunburst guitars have a huge myth built around them, mainly because they were only built for three years 58-60, and there were only ever around 1400 ever made in total [nobody knows for sure as some of Gibsons log books are missing from that period] They are considered the "Stradivarius " of the Electric Guitar world, and attract very stupid money for them [currently around US $800-900,000 for a good early example] The truth is, they only revel their magic when cranked up to max volume through a Marshell amp, and TBH any GOOD modern Sunburst Gibson Les Paul [Some Dogs slip through Gibson QC ] would sound so close as to be pretty much indistinguishable from the original. 3
betocool Posted October 8, 2023 Posted October 8, 2023 I knew about Peter Green and Gary Moore. I didn't know about Kirk Hammett. Didn't know about the neck bow either! I missed a chance to watch Gary Moore live in Germany in 2009 I think it was, I'd been "furloughed" and I ended not buying tickets. Bad mistake that was, we know how that story ends. Very interesting facts! Thanks a lot! Cheers, Alberto
LogicprObe Posted October 9, 2023 Posted October 9, 2023 On those speakers............I have a couple of 15 inch green backs that I've going to build into 'extension' cabinets for over 10 years! I hope one day to get around to it. The power handling is small on those too...........only like 60 watts each, by memory. I also keep forgetting to get my EV speaker recoiled as well.
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